Originally from Hanoi (Vietnam), Ari-Duong Nguyen (they/she) is a recent graduate with an MA in Media Studies from The New School. They write criticism of cinema and time-based media, and program experimental screenings when they can. While primarily concerned with issues of labor and extraction, their work always aims towards the intimate amidst displacement and estrangement, the comfort of makeshift homes in the face of existential uncertainty. Their analog photography and personal documentaries could also be found respectively in zines and microcinemas in NYC.
