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  1. Announcing the Re:Paris Prize

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    MEDIA CONTACTS

     

    Van Alen Institute 
    Alisha Kim Levin, press@vanalen.org
    Elisa Smilovitz, elisa@elisasmilovitz.com

     

    Pan-African Biennale
    Kafia Ahmed, kafia.ahmed@panafricanbiennale.org


    Van Alen Institute to Relaunch the Prestigious Paris Prize as the Re:Paris Prize, With New Focus on Global Post-Colonial Regions

    Inaugural prize awarded in partnership with Pan-African Biennale; winners receive fellowships to research transformative design grounded in African practice
    August 19, 2026Brooklyn and Nairobi — Van Alen Institute is pleased to announce the relaunch of its long-running Paris Prize as the Re:Paris Prize, with a new focus on reparative and regenerative urbanism across the global post-colonial landscape. For the inaugural Re:Paris Prize in 2026, Van Alen is partnering with the Pan-African Biennale, the first continental biennale dedicated to architecture and the built environment.
    From 1904 to 1997, Van Alen Institute (formerly called the Society of Beaux-Arts Architects and the National Institute for Architectural Education) organized the Paris Prize, an annual design competition. Participants responded to specific prompts covering urban planning, entertainment, schools, and civic spaces. During the competition’s early years, winners were awarded a year of study in Paris at the École des Beaux-Arts. Many Paris Prize winners went on to create architectural icons of the U.S. — including Max Abramovitz, architect of David Geffen Hall at Lincoln Center; Richard H. Granelli, part of the Smithsonian Institution design team; and Van Alen Institute’s namesake, William Van Alen, the Brooklyn-born architect of the Chrysler Building.
    Inverting the “Grand Tour” tradition, the Re:Paris Prize shifts focus away from Paris in favor of cities and communities across the globe once held to the periphery of architectural and urbanist discourse. The inaugural prize focuses on the African continent, with Van Alen partnering with the Pan African Biennale to navigate this vast geography. The Biennale’s founding curator, architect Omar Degan, will be instrumental in shaping the Re:Paris Prize, helping articulate its themes, supporting the selection and mentoring of awardees, and amplifying the Prize’s potential impact on the future of designing cities.
    The award will go to three designers, who will each receive a $35,000 travel fellowship to research transformative design proposals. Two Africa-based winners will be selected from exhibiting designers at the 2026 Pan-African Biennale, and a third U.S.-based winner will be chosen through an open call, to be announced in Fall 2026.
    Winners will be selected by jury. Jury members are: Nora Akawi, Assistant Professor, The Cooper Union; Ifeoma Ebo, Founding Principal, Creative Urban Alchemy; Mark Gardner, Principal, Jaklitch / Gardner Architects; Kabage Karanja, Co-Founder, Cave_bureau; and Mphethi Morojele, Managing Director, MMA Design Studio.
    As part of the fellowship, winners will conduct impactful field research, evolve their work to the next phase of development, and meaningfully engage communities navigating histories of displacement and exclusion in a spirit of cross-cultural collaboration and exchange. Following their field research, they will collaborate to present their learnings at Van Alen Institute in Fall 2027 and the second Pan-African Biennale in 2028.
    “As Van Alen reflects on its 132-year legacy, we must hold our own archival history accountable. For over a century, the original Paris Prize defined architectural merit from a singularly Western perspective. With the Re:Paris Prize, we are flipping that narrative on its head by celebrating design research and innovation created in regions long relegated to the margins, amplifying reparative approaches that redefine how we shape our built environment,” said Hayley Eber, Executive Director, Van Alen Institute.
    “The Pan-African Biennale does not seek to correct exclusion from within existing frameworks. It establishes a new one — one in which Africa is the author of its own spatial knowledge, its own architectural discourse, its own futures. The Re:Paris Prize belongs to that project. For a century, recognition required a journey to Paris. This one funds the opposite journey — into African cities, to research what is already being built there,” said Omar Degan, Founder and Director, Pan-African Biennale.

    Key Dates

    September 10, 2026 | Two Africa-based winners announced at the Pan-African Biennale
    December 2026 | United States-based winner announced
    Fall 2027 | Public presentation of field research at Van Alen Institute
    Visit vanalen.org for more information.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities.
    See all work at vanalen.org.

    About the Pan-African Biennale

    The Pan-African Biennale (September 7–11, 2026, Nairobi) is the first continental institution dedicated to architecture, urbanism, and spatial practice on the African continent. Conceived, built, and led from within Africa, it marks a decisive moment in the history of global architectural discourse, the moment Africa asserts its own institutional voice, on its own terms, from its own ground. The Biennale convenes practitioners, thinkers, researchers, and communities from all 54 African nations under a single curatorial framework, renewed with each edition. Each edition is hosted in a different African city, ensuring that the institutional center of this discourse moves continuously across the continent.
    Learn more at panafricanbiennale.org.

  2. On view: NOT NOT

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    NOT NOT: An Office, An Exhibition

    An architectural office that begins as an exhibition, an architectural exhibition that reveals the making of an office.

    On view June 18–August 15, 2026

    Download hi-res images.

    June 18, 2026 Brooklyn, NY — Van Alen Institute is pleased to present NOT NOT, an exhibition and temporary office space of the newly-launched design studio NOT NOT, founded by Ekin Bilal and Celia Chaussabel. Bilal and Chaussabel have used off-the-shelf materials, held together with custom hand-like clamps, to construct an office and exhibition in Van Alen Institute’s Urban Room, which serves as a site for simultaneous display and production. NOT NOT is on view at 303 Bond Street, Brooklyn, from June 18 to August 15, 2026. An opening reception takes place on Thursday, June 18, 6:30–9 pm.

    The office

    This is NOT NOT’s first physical work space as an emerging design practice, and is, in part, a response to the real estate costs and material realities of launching a new office. The office is constructed of standard building materials, such as sheets of plywood, cinder blocks, and metal sheets. The custom hand-like clamps hold all other materials in place without damaging them. At the end of the exhibition, NOT NOT will disassemble the office and return all of its pieces to where they came from, allowing others to use them and reducing the waste normally associated with architecture exhibitions. 

    The office can be viewed from the street and visitors are invited to enter the space, interact with Bilal and Chaussabel, and observe the product and process of NOT NOT’s work up close.

    The exhibition

    On the office’s exterior walls, NOT NOT presents a mix of the studio’s recent work alongside new designs, commissions, and proposals. Side-by-side with architectural drawings and models, the exhibition includes animations, video games, comics, furniture, and printed matter that expand how architecture can be made and shared.

    The exhibition makes often-hidden aspects of architecture visible — physical spaces as well as the profession’s ongoing grappling with climate crises and labor practices. NOT NOT offers an alternative future and way of thinking about overlooked spaces, resources, and the built environment, centered on care and transparency.

    Public programs

    Thursday, July 23
    Panel discussion; details TBA

    Thursday, August 13
    Workshop; details TBA

    Visit vanalen.org for additional program information.

    “Building on 130 years of platforming emerging designers, Van Alen Institute is thrilled to be a launching pad for NOT NOT,” said Hayley Eber, Executive Director, Van Alen Institute. “This witty, unusual exhibition is an unprecedented chance for the public to witness the design process in real time and glimpse into the complexities of starting a new practice.”

    “This exhibition is about becoming: becoming architects, collaborators, friends, and an office, while expanding what architectural practice can be,” said Ekin Bilal, co-founder, NOT NOT. “For us, NOT NOT is a way to ask how we might address the many crises our profession is facing, while still finding joy in the midst of them: walking through architecture’s back doors, dumpster hunting for building materials, and, occasionally, taking advantage of a very generous return policy.”

    “We first bonded over a shared love of representing architecture through comics, animations, and video games,” said Celia Chaussabel, co-founder, NOT NOT. “When we explored why we feel that way, we realized at the core was a shared excitement for the margins of the discipline, both physically and methodologically: the forms of architectural making that allow more people to enter the conversation. It is a way to open urgent questions about labor, extraction, and repair to audiences beyond architecture.”

    Location

    303 Bond Street, Brooklyn, NY 11231

    Hours

    NOT NOT is on view during Van Alen Institute’s opening hours:
    Monday–Thursday, 10 am–6 pm

    Select Friday–Saturday hours:
    June 19/20, July 24/25, August 14/15; 1–5pm

    Ekin Bilal and Celia Chaussabel are members of the Van Alen Vanguard, a network of 21 emerging design leaders. Activating Van Alen’s space at 303 Bond Street, the Vanguard develops public programs and exhibitions that reimagine designers’ roles in civic life. NOT NOT is the first exhibition presented as part of the Van Alen Vanguard.

    NOT NOT is supported by Independent Projects, a grant program of the New York State Council on the Arts and The Architectural League of New York. Independent Projects is made possible by public funds from the New York State Council on the Arts, with the support of the Office of the Governor and the New York State Legislature.


    About NOT NOT

    NOT NOT is a design practice working across architecture, objects, and stories. The practice explores the overlooked spaces, materials, and systems that shape the built environment, from maintenance routines and demolition debris to regulatory gray zones and infrastructures that sustain buildings over time.

    NOT NOT’s output extends beyond conventional architectural formats (not not architectural formats), including video games, experimental animation, comics, machines, and illustrations. NOT NOT chooses these mediums deliberately to surface the political and material realities often hidden within architectural practice: questions of labor, regulation, maintenance, extraction, and care, in order to make them legible to audiences beyond the profession.

    Learn more at not-not.co.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities. 

    See all work at vanalen.org.


    Media Contacts

    Alisha Kim Levin, press@vanalen.org

    Elisa Smilovitz, elisa@elisasmilovitz.com

  3. On View: Friends from the Canal

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    Van Alen Institute Announces Friends from the Canal by Mookntaka, New Public Art Installation in Gowanus, Brooklyn

    Inspired by the Gowanus Canal’s aquatic fauna, artist duo Mookntaka’s illuminated sculptures serve as friendly neighborhood ambassadors

    View and download photos here.

    (Brooklyn, NY—April 23, 2026) — Van Alen Institute is pleased to announce Friends from the Canal by artist duo Mookntaka, on view through late August 2026. The multi-site installation, made possible through funding from the New York City Department of Small Business Services (SBS), consists of three inflatable, illuminated, character-driven sculptures that serve as a friendly welcome to Gowanus. This is Mookntaka’s first long-term installation and the first time incorporating lighting.

    Friends from the Canal responds to the neighborhood’s state of flux. Amidst new development and environmental remediation, the installation imagines gentle creatures emerging from the Gowanus Canal to investigate the commotion and meet their neighbors. These three “cheerful mutants,” known as Loofa, Shelby, and Pebbles, have unique silhouettes inspired by the canal’s aquatic fauna. 

    Placed outside at three locations in Gowanus — Cafe Mars, Union Channel, and Wyckoff Gardens — these characters create play in unexpected places and invite people to break their usual routine. During the day, the sculptures are colorful, welcoming creatures, and at night, they provide a soft, radiating light.

    Play is a universal experience and an early way people learn how to communicate with others. Friends from the Canal helps people to reconnect to that part of themselves and with others in shared space. Within a world full of structures and rules, the sculptures serve as a reminder that not everything needs to make sense or be serious. They give permission to be silly.

    To encourage more exploration of Gowanus, Friends from the Canal is accompanied by a scavenger hunt of local cafes, shops, and restaurants. Participants can visit each local business on the map to collect a unique sticker designed by Mookntaka; when they collect all 18 stickers, they can redeem prizes from local businesses. Maps with scavenger hunt locations and instructions can be found at Van Alen Institute and From Here to Sunday, a local gallery and gift shop located at 567 Union Street.

    Enhancing the scavenger hunt, local artist HiBye has created ceramic tiles that resemble the Friends. Dubbed the “Mookntiles,” they are installed at 16 unlisted locations around Gowanus, encouraging more unexpected discovery as participants move around the neighborhood.

    Mookntaka was selected through an open call held in Fall 2025, and chosen by a selection committee of local residents and community leaders in collaboration with Van Alen Institute. 

    “This project has been a fun challenge, learning new ways we work with inflatables and the opportunity to collaborate with so many people,” said Mookntaka. “We hope our Friends give people the chance to explore their own neighborhood with fresh eyes and remind them that play can exist in the most unexpected places.”

    “As Gowanus transforms, art and design are powerful tools to ensure the public realm is welcoming for all, including longtime residents and newer arrivals,” said Hayley Eber, Executive Director, Van Alen Institute. “Mookntaka’s Friends from the Canal brings a sense of play to our sidewalks and shared spaces, and I hope these works encourage exploration of this historically creative neighborhood Van Alen is proud to call home. We are deeply grateful to our local selection committee and supporters at the city and state level for making this project possible.”

    “Mookntaka are beloved community members who’ve been such an asset to the Gowanus art scene over the years,” said Johnny Thornton, Executive Director, Arts Gowanus and member of the selection committee. “Our goal at Arts Gowanus is always to keep local artists working in the neighborhood so we’re thrilled that this project by Mookntaka will showcase, in such a visible way, the immense creativity that exists in Gowanus. It was such an honor to be on the selection committee for this project, and as always, a pleasure to work with Van Alen!”

    Friends from the Canal is designed to bring New Yorkers together while celebrating Gowanus’s rich history and culture,” said SBS Commissioner Kenny Minaya. “Through our Public Realm Grants, we’re investing in brighter, more vibrant commercial corridors that make New York City more livable for all. We’re proud to support Van Alen Institute with this investment, which demonstrates how thoughtful public realm activations can spread joy, increase foot traffic, and strengthen neighborhood connections.”

    “Great public art invites the viewer to explore, to be surprised, and to wonder,” said Erika Mallin, Executive Director, New York State Council on the Arts. “This installation sends a powerful message: you are welcome here. NYSCA is proud to support the work of Van Alen Institute and congratulates them and Mookntaka on this engaging project.”

    “NYCHA is proud to partner with Van Alen Institute to bring this imaginative work directly to Wyckoff Gardens residents,” said NYCHA Chief Executive Officer Lisa Bova-Hiatt. “These colorful, illuminated sculptures do more than just decorate; they brighten the development and provide a welcoming space for people of all ages to gather and connect. We are delighted that residents can experience the joy of Friends from the Canal right outside their doors.”

    “We are so honored and excited for our unusual Italian restaurant to be allowed to host one of Mookntaka’s gorgeous and unusual creatures,” shared the Cafe Mars team.

    (Added the Friends: “Hello, humans and animals of NYC! Thanks for welcoming us above the Gowanus Canal… we promise we don’t smell!”)

    Friends from the Canal is part of Mookntaka’s ongoing Friends and Follies series. In this series, character-driven, handcrafted sculptures are welcoming creatures while nodding to the architectural meaning of folly — a structure meant to exist solely to be beautiful. They are formed by simple geometric shapes, which often obscures the original reference materials. Mookntaka purposely leaves their characters open-ended, allowing the public to create their own interpretations of each one’s personality.

    Friends from the Canal is produced by Van Alen Institute and made possible by a Public Realm Grant for Commercial District Lighting awarded through the NYC Department of Small Business Services; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; and by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

    Fabrication of sculpture bases and installation was done by New Project; engineering support was provided by TYLin; lighting design support was provided by Sighte Studio; and electrical engineering support was provided by Buro Happold.


    LOCATIONS

    • Cafe Mars, 272 3rd Ave (at President St), Brooklyn
    • Union Channel at Gowanus Wharf, 240 3rd Ave (at Union St), Brooklyn
    • Wyckoff Gardens, 187 Nevins St (at Warren St), Brooklyn

    PUBLIC PROGRAMS

    Gowanus Community Day Festival
    Saturday, April 25, 12–4 pm (rain date: April 26)
    Thomas Greene Park, 3rd Ave and Degraw St

    Friends from the Canal joins the annual Gowanus Community Festival at Thomas Greene Playground. Meet Mookntaka, learn about the Friends, and participate in family-friendly activities such as live music and face painting. Free and open to the public.

    Powerhouse Arts Community Day
    Saturday, May 16, 11 am–5 pm
    Powerhouse Arts, 322 3rd Ave

    Mookntaka’s Friends and Follies make an appearance at Powerhouse Arts’ Community Day. Meet the inflatable Friends, learn more about the process of making Friends from the Canal, and join the project’s scavenger hunt. Free with RSVP.

    Visit vanalen.org/events for future program announcements.


    About Mookntaka

    Mookntaka (MOO-kin-tah-kah) is a Brooklyn-based artist duo by Mark Zlotsky and Karyn Lao. The moniker is a combination of their names through the voice of their then two-year-old niece: Uncle Mark and Auntie Karyn. Mookntaka believes in art that encourages people of all ages to connect through play. Utilizing mediums associated with arts-and-crafts, rudimentary shapes, and lively colors, Mookntaka designs interactive moments that bring people together. Mookntaka embodies the wonder and whimsical lens we investigate our surroundings with. It serves as a reminder to themselves and others to find joy in unexpected places and embrace the silliness and curiosity of our inner child.

    Learn more at mookntaka.com and @mookntaka.

    About HiBye

    HiBye is an NYC-based street artist working in ceramics and paper. Rooted in spontaneity and joy, her googly-eyed tiles and wheatpaste drawings of fruits, monsters, and everyday objects bring playful surprises to Brooklyn and Manhattan streets.

    Follow @hibyetiles to learn more.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities.

    See all work at vanalen.org and @van_alen.


    Media Contacts

    Alisha Kim Levin, press@vanalen.org

    Elisa Smilovitz, elisa@elisasmilovitz.com

  4. On View: The House Transformed

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    Van Alen Institute Presents The House Transformed, Exhibition on Domestic Architecture

    Traveling from Princeton University School of Architecture
    On view through May 22, 2026
    Installation view: The House Transformed, Van Alen Institute. Photo: Cameron Blaylock

    February 25, 2026 — Brooklyn, NY — Van Alen Institute is pleased to present The House Transformed, an exhibition featuring new ideas for domestic architecture. Following its debut at the Princeton University School of Architecture (SoA), Van Alen is restaging the exhibition in their Urban Room at 303 Bond Street, Brooklyn through May 22, 2026.

    The House Transformed rejects conventional notions of the nuclear family and a “one-size-fits-all” approach to home. Through models and drawings, participants develop alternative concepts for collective living, multigenerational households, or living alone. This interactive exhibition encourages visitors to engage with these models and drawings.

    Each project focuses on one household and that household’s needs for daily life, bringing to light domestic ideas deeply ingrained in cultural norms but often ignored when discussing the power of architecture. For example, many projects explore what it means to age in place or the transformation families undergo with the passing of time. Others consider the expansion of the domestic sphere to include working from home in a myriad of forms. Participants also address how architecture can structure forms of sharing and mutual care — themes central for extended families living together, roommate arrangements, or cohousing.

    The House Transformed is curated by Mónica Ponce de León with Shoshana Torn and Massimo Giannone.

    “Van Alen Institute has a long history as one of New York’s premier destinations for new ideas in architecture. Now, with The House Transformed, we’re excited to inaugurate our Gowanus space as a venue for thought-provoking design exhibitions,” said Hayley Eber, Executive Director, Van Alen Institute. “We’re thrilled to collaborate with the Princeton University School of Architecture on this critical exhibition, which provides an important platform for designers rethinking one of architecture’s most fundamental forms.”

    “Family has never been homogeneous, and it has never been simply ‘nuclear,’” stated Mónica Ponce de León, Curator. “Many of us live with our extended family; countless consider friends their family, while others want to live alone, or with roommates who are mostly strangers. Some of us would like to age gracefully; others want to play, and many want to work from home. Love takes different forms, and it includes couples without children, single parents, and those in polyamorous relationships. Households come in many shapes, and yet, architecture has continued to insist on one-size-fits-all. Neutrality has proven to be exclusionary and has not served us well.”

    Visit vanalen.org for upcoming public program announcements.


    Exhibition Participants

    adamo-faiden, Agency—Agency, Akima Brackeen, Al Borde, all(zone), BALSA CROSETTO PIAZZI, Black Box Research Group / Atelier Office, Cameron Wu, Cazú Zegers, Chenchow Little Architects, clara sola-morales studio, Common Accounts, COMTE/MEUWLY, Current Interests, Daisy Ames, Diagonal Thoughts, Equipo de Arquitectura, Erin Besler, ERGO Architects, Florencia Pita & Co., Förstberg Ling, French 2D, Heide & von Beckerath, Now Here, The LADG, LLOSA CORTEGANA arquitectos, LTL Architects and Guy Nordenson and Associates, MALL, MOS with E. Coccia, MPdL Studio, Neri&Hu Design and Research Office, Oshinowo Studio, Preston Scott Cohen, Stan Allen Architect, Steven Holl Architects, Studio Barnes, studio:indigenous, Studio Sean Canty, Tato Architects, TEN, Tham & Videgård, VTN Architects, WILLIAMSONWILLIAMSON


    Exhibition Team

    Curator: Mónica Ponce de León

    Assistant Curators: Shoshana Torn and Massimo Giannone

    Graphic Design: Christina Huang

    Exhibition Design: MPdL Studio (Mónica Ponce de León, Massimo Giannone, Shoshana Torn)

    Public Programming: Courtney Coffman and Emily Conklin

    Production: Kira McDonald

    Fabrication: Marie Baretsky, Sean Rucewicz, Olivia Ahmadi, Bill Tansley, John Hunter

    Installation: Sean Rucewicz, Nicolas Amitrano, Abraham Cherner, Kyle Ku

    Exhibition Assistants: Jon Charette, April Dong, Foivos Geralis, Tyler Gray, Ming Rou Han, Jordan Loofs, Aidan Lozano, Chenkun Ma, Antónia Pachéco, Saaya Perera, Ian St. John, Nicole Teichner, Lucia Tian, Aonor Washington, Samet Yilmaz

    Model Assistants: Elina Chen, Zoe King Man Cheung, Vaida Kidykaite, Loretta Koch, Kyra McLaughlin, Lia Mondavi, Stephanie Rosas, Beatriz Saldana, Chandler Yicong Shan, Robert Williams


    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities. See all work at vanalen.org.

    About Princeton University School of Architecture

    Through its teaching and research in architectural design, urbanism, history and theory, and architectural technologies, the School of Architecture (SoA) provides students with a course of study that reflects on contemporary and emerging issues in architecture. Principal degrees offered by the School include a Bachelor of Arts, a Professional Master of Architecture, a Post-Professional Master of Architecture, and a Doctorate of Philosophy. Students at the School of Architecture benefit from its small size and thorough integration with the Princeton University community.

    Media Contacts

    Alisha Kim Levin, press@vanalen.org

    Elisa Smilovitz, elisa@elisasmilovitz.com

    Bridget Moriarity, bmoriarity@princeton.edu

  5. Unveiling: Los Círculos

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    CLOTH and Van Alen Institute Unveil Los Círculos, New Lighting Installation in Washington Heights

    LED canopies illuminate Plaza de las Americas and Duarte Triangle through July 2026

    View and download photos here.

    (New York, NY—October 1, 2025) — Van Alen Institute and Community League of the Heights (CLOTH) are pleased to announce Los Círculos, on view October 1, 2025 through July 2026, and made possible through a $100,000 Public Realm Grant from the NYC Department of Small Business Services (SBS). Inspired by how people form circles for dancing, celebration, and gathering, this multi-site lighting installation aims to increase a sense of joy, unity, and belonging in Washington Heights. Los Círculos is designed by multidisciplinary design studio Marvel, in collaboration with an interdisciplinary coalition of neighborhood organizations and design experts.

    Los Círculos illuminates two locations in Washington Heights:

    • Plaza de las Americas, located at 175th Street and Broadway, directly in front of Washington Heights’ landmarked theater United Place — through NYC DOT Art Partners, a collaboration with the New York City Department of Transportation’s Art Program, NYC DOT Art
    • David Friedland Square (also known as Duarte Triangle), a small public park located at 170th Street and Broadway — through the NYC Department of Parks & Recreation’s Art in the Parks Program

    Soft illumination from two large undulating circles transforms these spaces, creating an inviting space for interaction while increasing visibility at night. The piece harnesses the kinetic energy of the neighborhood, embodying a sense of movement within the design. Los Círculos emphasizes the significance of public space and its critical role in the social and cultural life of the Washington Heights community. Made with LED lights and aluminum, Los Círculos has a lightweight design and minimal footprint, ensuring uninterrupted access to these public spaces and their ongoing events, such as the seasonal GrowNYC farmers market at Plaza de las Americas.

    On Tuesday, September 30, CLOTH and Van Alen Institute hosted a public unveiling event. The project team illuminated both locations of Los Círculos, accompanied by a drum line led by Manhattan Samba and salsa music by María y Simón.

    In the coming months, CLOTH and United Palace will also host a series of public events centered under Los Círculos, including salsa evenings, silent dance parties, and holiday activities. Visit cloth159.org and unitedpalace.org for information about upcoming events.

    PROJECT TEAM

    • Producers: Community League of the Heights, Van Alen Institute
    • Designer: Marvel
    • Lighting Designer: Buro Happold
    • Structural Engineer: TYLin 
    • Fabricator: A05 Studio
    • Community Partners: Columbia University Irving Medical Center, Juan Pablo Duarte Foundation, NewYork-Presbyterian, Northern Manhattan Arts Alliance, United Palace
    • City Partners: NYC Department of Small Business Services, NYC Department of Transportation, NYC Department of Parks

    Yvonne Stennett, Executive Director, Community League of the Heights, said: “We are thrilled to once again partner with Van Alen Institute on this unique and inspirational project! The professionalism and experience integral to this process resulted in a stunning lighting installation for our Washington Heights community and beyond to enjoy. We look forward to seeing the awestruck expressions on everyone’s faces. A special recognition to all of our community partners for their diligence, dedication and patience, and hats off to Marvel for their one-of-a-kind designers’ eye.”

    Hayley Eber, Executive Director, Van Alen Institute, said: “Los Círculos exemplifies Van Alen’s commitment to creating a welcoming, vibrant public realm in New York City. Encouraging togetherness and joy, Marvel’s design is a true spotlight on these important public spaces serving Washington Heights. We’re honored to continue our longstanding partnership with CLOTH, and sincerely thank our coalition of designers, local leaders, and city agencies for their dedication to community-building through collaboration.”

    Tim Fryatt, Partner, Marvel, said: “Los Círculos is inspired by communal celebration in the public square, a cultural tradition deeply embedded in the neighborhood’s Latin American diaspora. We hope Los Círculos fosters interaction and promotes a sense of belonging, adding light and joy to the neighborhood — perhaps inspiring people to dance! Marvel is grateful to be working with such a dedicated team: the incredible vision and leadership at Van Alen, the insights of our community partners, the ingenuity of the fabricator A05 Studio, and our creative and thorough design colleagues at TYLin and Buro Happold.”

    NYC Department of Small Business Services Commissioner Dynishal Gross said: “SBS’s Public Realm Grants are about making our neighborhoods brighter and more livable for the New Yorkers living, working, and visiting them. This public art project, Los Círculos, at Plaza de las Americas does exactly that, and will serve as an example of what our shared spaces can be. We are proud to support both Van Alen Institute and CLOTH as they do the work to strengthen our commercial corridors with real, tangible improvements to the public realm.”

    NYC DOT Commissioner Ydanis Rodriguez said: “Everyone loves a good September ‘glow up,’ and thanks to Los Círculos, the iconic Plaza de las Americas and David Friedland Square will shine bright for all New Yorkers to enjoy. Our agency is proud to administer one of the largest municipal public art programs in the nation and we are grateful to Van Alen, CLOTH, and Marvel for their partnership.”

    NYC Parks Commissioner Iris Rodriguez-Rosa said: “Public art has the power to transform our shared spaces, enhancing our parks and plazas and creating moments of wonder and reflection. With Los Círculos, New Yorkers are invited to interact with our urban environment in new and engaging ways, shining a new light — literally — on these beloved neighborhood spaces. We’re grateful to our partners at CLOTH and Van Alen Institute as well as our sister agencies for their work to bring this beautiful art to Washington Heights.” 

    Domingo Cruz, Executive Director, Juan Pablo Duarte Foundation said: “We are proud to contribute to a project that literally and figuratively lights up our community. The flowing, skirt-inspired lights echo the traditions and stories carried by our people, while creating an open, inclusive space where neighbors can connect. Together with our partners, we are illuminating both our heritage and our shared future.”

    Mike Fitelson, CEO, United Palace said: “The United Palace has long hoped Plaza de las Americas would grow into the welcoming community space we all know it can become. We hope Los Círculos inspires a new cohort of artists and community organizers to imagine how they can help transform the Plaza into a welcome mat for all of Washington Heights.”

    Sandra Harris, Vice President, Academic and Community Partnerships at Columbia University Irving Medical Center said: “We’re proud to partner with our community to help revitalize Duarte Triangle. Los Círculos will stand as a beacon of life and safety. Special thanks to Yvonne Stennett and CLOTH for their unwavering leadership and commitment to uplifting our neighborhood.” 

    Niria E. Leyva-Gutiérrez, Executive Director, Northern Manhattan Arts Alliance said: “NoMAA is delighted that this innovative public light installation is coming to Plaza de las Américas. Los Círculos promises to not only visually enliven the plaza but also to reinvent its purpose as a dynamic, immersive, and collective arts space.”

    John Sloane, Senior Lighting Designer, Buro Happold said: “Too often, our cities are flooded with intense illumination whose primary purpose is to light roadways, sidewalks, and provide lighting for surveillance. When applied thoughtfully, light can be an agent for gathering and interaction in our shared public spaces. The organic forms and soft illumination from Los Círculos adds a human scale to these two sites, encouraging gathering, social interaction and dance.”

    Anne Sperling, Vice President of Government and Community Affairs, NewYork-Presbyterian said: “When we brighten public spaces, it enhances the health and well-being of our community. NewYork-Presbyterian is proud to support our northern Manhattan community and celebrate projects like Los Círculos.”

    Maya Stuhlbarg, Associate, TYLin said: “As part of TYLin’s Building Equity Initiative, we’re very excited for the opportunity to apply our structural engineering experience to this project. The design process has been collaborative from start to finish, and we’re sure the installation will be valuable in providing lighting and engagement in this community. We hope the project will help to activate these public spaces and encourage community interaction and celebration. Thank you to Van Alen Institute, CLOTH, Marvel, and Buro Happold for such a wonderful partnership on this project.”

    Los Círculos is supported by the NYC Department of Small Business Services and, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Van Alen Institute’s work is made possible by the New York State Council on the Arts.


    About Community League of the Heights (CLOTH)

    CLOTH is a multi-service, non- profit community development organization dedicated to supporting and empowering the economically disadvantaged residents of Harlem, Washington Heights, and Inwood. CLOTH’s holistic approach to community development provides a comprehensive framework of services to stabilize and strengthen family life.

    CLOTH was founded by Lucille Bulger in 1952 as a neighborhood volunteer organization. Ms. Bulger led the organization until 1994 and was succeeded by Yvonne Stennett, the current Executive Director. The organization impacts hundreds of people each day and for many, CLOTH is their last resort for housing, food, or other basic human needs. CLOTH offers programs in four key areas: Affordable Housing, Education, Workforce Development, Health and Wellness. Learn more about cloth159.org.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities. See all work at vanalen.org.

    About Marvel

    Marvel is a comprehensive collective that embraces the challenges of a design process driven by collaboration and curiosity, where every voice matters, producing meaningful places that reflect the responsibility to our communities and environment. Learn more at marveldesigns.com.

    About the NYC Department of Small Business Services (SBS)

    SBS helps unlock economic potential and create economic security for all New Yorkers by connecting New Yorkers to good jobs, creating stronger businesses, and building vibrant neighborhoods across the five boroughs. For more information on all SBS services, go to nyc.gov/sbs, call 888-SBS-4NYC, and follow us on Facebook, Twitter, Instagram, and LinkedIn.

    About NYC DOT Art 

    The New York City Department of Transportation’s Art Program (NYC DOT Art) partners with community-based, nonprofit organizations and professional artists to present temporary public art on NYC DOT property throughout the five boroughs for up to eleven months. Artists transform streets with colorful murals, dynamic projections and eye-catching sculptures. Sidewalks, fences, triangles, medians, bridges, jersey barriers, step streets, public plazas and pedestrianized spaces serve as canvases and foundations for temporary art. Since 2008, NYC DOT Art has produced over 500 temporary artworks citywide. For more information, visit nyc.gov/dotart and @nyc_DOTArt on Instagram.


    Media Contacts

    Alisha Kim Levin, press@vanalen.org

    Elisa Smilovitz, elisa@elisasmilovitz.com

  6. NYC Design Orgs Launch Public Design Alliance

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    New York City Design Organizations Launch the Public Design Alliance

    An evolving network of the city’s cultural nonprofits seeks to expand opportunities for shared resources and collective impact.

    June 25, 2025, New York, NY — In response to shifting national pressures and increasing challenges, a coalition of public design organizations based in New York City has joined forces to form the Public Design Alliance. For decades, the leaders of these organizations have found informal ways to stay connected through public and private meetings, shared programs, and joint initiatives, resulting in a sustained yet fluctuating cooperation. Past collaborations—ranging from co-curated exhibitions and charrettes to tool launches and community programs—demonstrate the strong network and shared values among the city’s architecture and design institutions. Whether focusing on public space activation, emerging design professionals, or cross-disciplinary dialogue, these organizations have consistently worked together to elevate design’s role in the city.

    Amid the rise of recent unprecedented federal challenges and pressures on civil society, including the widespread loss of public funding and the stigmatization of DEI values, these peer institutions agree that a more structured platform for partnership will strengthen their collective impact.

    Mission and Purpose

    The Public Design Alliance is born out of a need for deeper engagement, shared resources, and collective action. This growing network aims to be responsive, aims to foster collaboration and solidarity across the city’s design sector, responding to an increasing call for cooperation in uncertain times. Knowing that goals will evolve as the group grows and changes, its current priorities include:

    • Knowledge Sharing: Building a robust shared knowledge base across organizations
    • Program Collaboration: Coordinating efforts to create and implement impactful public design programming
    • Community and Audience Building: Expanding outreach to foster diverse community engagement and support
    • Message Amplification: Promoting individual and collective voices on key public design issues in local and national media

    The establishment of this network is intended to build trust and model solidarity between organizations, prioritizing opportunities to make the design community stronger, more visible, and better connected.

    Tizziana Baldenebro, Executive Director, Beverly Willis Architecture Foundation (BWAF) said: “Design is never neutral; it is a reflection of our values and priorities. Building bonds across organizations that reinforce intersectional values makes us stronger. The Public Design Alliance comes at a critical time when equity in the public realm must be fiercely protected. BWAF has long been an instigator in this effort and we stand arm in arm with our peers.”

    Keri Butler, Interim President, Municipal Art Society of New York said: “As the federal government slashes funding for nonprofits across the country, it is a critical time for our organizations to come together and share resources so that we can continue to serve our communities. MAS’s work helps residents have a voice in the decisions that shape the future of their neighborhoods. Our programs bring together New Yorkers to celebrate design and culture, building social cohesion and boosting local businesses. Through this alliance, there is an opportunity to raise awareness about the impact these short-sighted federal cuts will have not only on our organizations but on the public and our city’s economy.”

    Matthew Clarke, Executive Director, Design Trust for Public Space said: “Thirty years ago, the Design Trust for Public Space was founded on the principle that the public realm needed a more collaborative model across community groups, government agencies, nonprofits, and private-sector experts to reach its full potential. We are proud to be forming the Public Design Alliance and through solidarity in uncertain times, strengthen[ing] our impacts on New York City’s quality of life.”

    Hayley Eber, Executive Director, Van Alen Institute said: “It’s clear we’re facing unprecedented challenges, making the Public Design Alliance a critical platform for collective action. Van Alen Institute is excited to collaborate with our peers, allowing us to unify our efforts and amplify our shared commitment to a more just and resilient public realm.”

    José Esparza Chong Cuy, Executive Director and Chief Curator, Storefront for Art and Architecture said: “At Storefront, we believe that public life is not a given—it is continuously shaped through acts of imagination, resistance, and solidarity. The Public Design Alliance reflects our long-standing commitment to collective work that expands the role of art and architecture in civic life. In a moment when collaboration is not only urgent but necessary, this alliance strengthens our shared capacity to imagine new forms of public culture.”

    Janet Fink, Executive Director, Institute for Public Architecture (IPA) said: “As a collective of design-focused non-profit organizations with shared values and similar approaches to improving the quality of life in the public realm, we are stronger together. The IPA is delighted to be part of this exciting moment and we look forward to continued and future collaborations with our partners!”

    Pilar Finuccio, Executive Director, Center for Urban Pedagogy (CUP) said: “At the core of CUP’s work is a belief and knowledge that, through values-aligned collaboration, we are able to best express and deepen our values. I’m eager to work with this group of leaders to develop a shared understanding of how we might sustain and strengthen the resources, capacity, and relationships we have. It’s in times of uncertainty and grief that we often see more clearly what room we still have to be our best with and for each other, as peers, to care for the people and communities that brought us to our work in the first place.”

    Kristin LaBuz, Executive Director, Open House New York (OHNY) said: “While Washington slashes funding for arts and culture, New York nonprofit leaders know that resilience is rooted in collaboration. Open House New York is proud to be part of the Public Design Alliance, deepening relationships with our colleagues in ways that amplify our respective missions and strengthen the civic fabric of our city.”

    Jesse Lazar, Assoc. AIA, Executive Director of AIA New York and the Center for Architecture said: “The challenges facing our cities—climate resilience, housing equity, public trust—are too complex for any one organization to tackle alone. More than ever, the political and economic moment we are in demands deeper collaboration, connectivity and solidarity. It’s a privilege to work together with colleagues at such important and innovative organizations to strengthen one another and advance our shared values, and we look forward to expanding this group in the future.”

    Daniel McPhee, Executive Director, Urban Design Forum said: “It has been my pleasure to collaborate with the leaders of these organizations for years and I’m glad to formalize our long partnership. Each of these organizations champion a better New York in its own way, and I can’t wait to see what we accomplish together.”

    Jacob R. Moore, Executive Director, Architectural League of New York said: “Recognizing the persistent and unique nature of the challenges in front of us, The Architectural League of NY is excited to contribute to a strengthening of the bonds between organizations for whom, in the past, competition has sometimes overrode collaboration. Anchored in shared values, we needn’t know the precise shape of the projects we might take on to know that there is more we can do together than apart in these uncertain times.”

    Ilene Shaw, Executive Director, NYCxDESIGN, said: “As a citywide initiative that unites all design disciplines—from architecture and landscape architecture to industrial and product, graphic, interior, and experience design—NYCxDESIGN is committed to support the Public Design Alliance. In times of uncertainty, design must be more visible, more valued, and more powerfully communicated. We aim to amplify the collective message that design is not a luxury—it is vital infrastructure for civic life, equity, and economic resilience. By joining this alliance, we hope to strengthen public understanding and appreciation of the role design plays in shaping a better, more inclusive future for all New Yorkers and beyond, particularly through times of challenge.”

    Gregory Wessner, Executive Director, National Academy of Design said: “As an organization founded by visual artists and architects, the National Academy has long recognized that collaboration is not just a strategy–it is a necessity. With cultural organizations under threat and funding being indiscriminately cut, the Public Design Alliance is a step towards working collectively to advocate for the importance of cultural organizations in sustaining and protecting civil society.”

    Tom Wright, President and CEO, Regional Plan Association said: “Decisions being made today about the form and function of some of the City’s most significant landmarks and public spaces will shape the future of our city and region for the next century and beyond. The planning and design of public spaces across our City must express a combination of utility, ambition, and creativity. RPA is proud to join the Public Design Alliance—whose membership includes many of our great civic partners—to help guide robust urban design and cross-disciplinary collaboration.”


    Founding Organizations (list as of June 25, 2025):

    AIA New York
    Architectural League of New York
    Beverly Willis Architecture Foundation
    Center for Architecture
    Center for Urban Pedagogy (CUP)
    Design Trust for Public Space
    Institute for Public Architecture
    Municipal Art Society of New York
    National Academy of Design
    NYCxDESIGN
    Open House New York
    Regional Plan Association (RPA)
    Storefront for Art and Architecture
    Urban Design Forum
    Van Alen Institute


    About AIA New York

    Established in 1857, AIA New York is the oldest and largest chapter of the American Institute of Architects (AIA), serving as the collective voice of nearly 5,000 licensed architects, allied professionals, students, and design enthusiasts in New York City.

    The Center for Architecture, inaugurated in 2003 as the AIA’s first-ever cultural institution, engages local and international audiences with the value, impact, and wonder of architecture. Together, we advance the value and practice of architecture to promote just and sustainable communities. Both AIA New York and the Center for Architecture advocate for the importance of design in enhancing urban life, offering programming that fosters engagement among architects, professionals, and the public. We prioritize values such as civic engagement, equity, environmental sustainability, resiliency, technological innovation, and inspiring design.  aiany.org

    About The Architectural League of New York

    The Architectural League of New York supports critically transformative work in the allied fields that shape the built environment. As a vital, independent forum, the League stimulates thinking, debate, and action on today’s converging crises of racism, inequity, and climate change, in service of a more livable and just world. Founded in 1881 as a forum for discourse among architects, designers, urbanists, and artists, as well as enthusiasts and the general public, the League continues to carry out its mission-driven work through lectures, publications, prizes, digital media, design studies, exhibitions, and research. Our award-winning online publication, Urban Omnibus, is dedicated to observing, understanding, and shaping the city. Learn more at archleague.org and urbanomnibus.net.

    About Beverly Willis Architecture Foundation

    Initially organized as a grant giving non-profit, BWAF now operates as a public nonprofit that advocates for gender equity in leadership and recognition in the architecture, design, landscape, engineering, real estate and construction industries. BWAF achieves its mission by researching and documenting women’s contributions and achievements in the built realm, educating the public, and transforming industry practices. bwaf.org.

    About the Design Trust for Public Space

    The Design Trust for Public Space is a non-profit organization that unlocks the potential of New York’s public spaces. Our unique model catalyzes design ideas into action for a more just and equitable city. Founded in 1995 by Andrea Woodner on the tenet that New York City’s cultural and democratic life depends on viable public space, today, the Design Trust is a nationally recognized incubator and thought leader that transforms New York City’s shared civic spaces—streets, plazas, parks, public buildings, transportation, and housing developments—to create a vibrant, inclusive, and sustainable city.

    About the Center for Architecture

    The Center for Architecture, inaugurated in 2003 as the American Institute of Architect (AIA)’s first-ever cultural institution, engages local and international audiences with the value, impact, and wonder of architecture. Through exhibitions, public programs, educational initiatives, and our Archtober festival and platform, the Center for Architecture brings together architects, designers, students, and the public to foster collaboration within the design community while creating accessible opportunities for the public to experience and learn about architecture. Whether you’re an industry professional, a curious visitor, or a student exploring the field, the Center for Architecture offers a space for connection, creativity, and critical conversation—empowering everyone to engage with the transformative power of architecture. centerforarchitecture.org

    About the Center for Urban Pedagogy (CUP)

    The Center for Urban Pedagogy’s (CUP’s) mission is to use the power of art and design to increase meaningful civic engagement in partnership with marginalized communities. Founded in 2001, CUP’s work is based in the belief that art and design are key to creating a world where every New Yorker, regardless of their identity and income, has access to the trustworthy information they need to assert their rights, benefit from social services, and create equitable systems.

    To date, CUP has collaborated with over 150 organizations and schools and 300 visual designers and artists to create over 200 resources that explain city policies in support of advancing social justice and racial equity. Our work has supported over 500,000 New Yorkers in advocating for fair policies across housing, labor, immigration, and healthcare. To learn more, visit welcometocup.org.

    About the Institute for Public Architecture

    The Institute for Public Architecture, based in the historic Block House on Governors Island, uses design to address social, physical and environmental inequities in the city through its signature Selected Topic Fellowship and Independent Project Residency programs, and related public lectures, exhibits, film screenings, workshops, and publications. The IPA believes in a future in which design is used as a tool for facilitating social justice and the public has a voice in all decisions that shape our built environment.

    About the Municipal Art Society of New York

    The Municipal Art Society of New York (MAS) was founded in 1893 to work towards the creation of a livable city, to enhance the lives of all New Yorkers and to use the municipal arts of architecture, landscape architecture, planning, preservation, and public art to improve and protect the built environment of New York. MAS envisions a future in which all New Yorkers share in the richness of city life—where growth is balanced, character endures, and a resilient future is secured. For over 130 years our advocacy efforts have led to the creation of the New York City Planning Commission, Public Design Commission, Landmarks Preservation Commission, and the Tribute in Light; the preservation of Grand Central Terminal, the lights of Times Square, and the Garment District; the conservation of more than 50 works of public art; and the founding of such civic organizations as the Public Art Fund, the New York Landmarks Conservancy, P.S. 1, the Historic Districts Council, the Park Avenue Armory Conservancy, and the Waterfront Alliance. Learn more at mas.org.

    About The National Academy of Design

    The National Academy of Design promotes art and architecture in America through exhibition, education, and research. Founded in 1825, the National Academy is the leading honorary society for visual artists and architects in the United States. We advocate for the arts as a tool for education, celebrate the role of artists and architects in public life, and serve as a catalyst for cultural conversations that propel society forward. At the core of our mission are the National Academicians, a vibrant community of 500 artists and architects elected by their peers in recognition of their extraordinary contributions to art and architecture in America. Representing a wide cross-section of practice, the Academicians embody our shared belief in the power of art and architecture to change society and enrich lives. Through their individual work and collective initiatives, the Academicians support their communities, their peers, and the next generation of creative thinkers.

    About NYCxDESIGN

    Design is central to New York City’s identity and civic life. Founded by the City of New York, NYCxDESIGN unifies and amplifies the voices of the city’s diverse design community—the largest in the world. Since 2012, our internationally recognized NYCxDESIGN Festival has served as the city’s official design week, showcasing the talent and innovation of designers, makers, businesses, and institutions across all five boroughs. The Festival draws 160,000+ local and international visitors to hundreds of events celebrating creativity, equity, sustainability, and culture. As a nonprofit 501(c)(3), NYCxDESIGN also leads year-round programs advancing visibility, opportunity, and inclusion across all design disciplines. Learn more at nycxdesign.org.

    About Open House New York

    Open House New York is a nonprofit organization that promotes broad, unparalleled access to the city—to the places, people, projects, systems, and ideas that define New York and its future. Through year-round programming and the annual OHNY Weekend festival, Open House New York offers a citywide platform that invites the public to explore the built environment and understand how New York looks, feels, and functions. To learn more, visit ohny.org.

    About Storefront for Art and Architecture

    Storefront for Art and Architecture amplifies the understanding of the built environment through artistic practice. Founded in 1982 by artists and architects in downtown New York, Storefront has chronicled the changing landscape of the city for over forty years and remains committed to producing and presenting work about diverse notions of place and public life. Learn more at storefront.nyc.

    About Urban Design Forum

    Urban Design Forum connects and inspires New Yorkers to design, build and care for a better city. We are a member-powered organization of 1,000+ civic leaders committed to a more just future for our city. We believe the built environment—our neighborhoods, buildings, public spaces and infrastructure—shapes our city’s health, culture and economy. We bring together New Yorkers of diverse backgrounds and experiences to learn, debate, and design a vibrant city for all. We envision a city where every New Yorker can thrive in a healthy neighborhood, with a stable home, dignified workplace, safe commute, lively public spaces and dynamic arts and culture—and we believe everyone has a role to play in creating that city. Learn more at urbandesignforum.org.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process.  Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities. See all work at vanalen.org.

  7. Van Alen and NYC SBS Unveil Storefront Activations

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    Van Alen Institute and NYC Department of Small Business Services Announce Two Community-Led Exhibitions Activating Vacant Storefronts

    Design Sprints: Building Creative Capacity program pairs community organizations with design professionals to create storefront installations highlighting Lower East Side and East Williamsburg histories

    View and download hi-res photos here.

    (New York City—June 3, 2025)—Van Alen Institute and the NYC Department of Small Business Services (SBS) are pleased to unveil two community-led storefront activations: Placeholders, on view at 165 & 169 Loisaida Ave, Manhattan; and The People Make The Place!, on view at 237 & 246 Graham Ave, Brooklyn.

    These exhibitions are the outcomes of Design Sprints: Building Creative Capacity — a fast-paced community-led design program pairing local organizations with design professionals to activate vacant storefronts. Launched by Van Alen in 2024, Design Sprints has mobilized 60+ community leaders to date, equipping them with design training, technical assistance, and cross-disciplinary collaboration. This current cohort addresses storefront vacancy in creative ways and reinforces the vital role of culture in maintaining thriving commercial corridors, and was made possible by a $100,000 grant awarded through SBS’s Avenue NYC program.

    The Spring 2025 cohort includes: Cooper Square Committee with Scott Kelly and Delphine Le Goff; and Grand Street BID with L&L Studio, ReFrame Architecture, and Sylvia Riveros. Together, the teams activated previously empty storefronts with exhibitions that celebrate the unique histories of the Lower East Side and East Williamsburg and make community stories more visible.

    “Storefronts are an essential part of NYC’s urban landscape, and now they’re also a place of creative community storytelling. It’s thrilling to see these spaces come alive with local histories, and we’re grateful to partner with SBS on Design Sprints as part of our shared commitment to dynamic, welcoming streetscapes,” said Andrew Brown, Director of Programs, Van Alen Institute.

    “New York City’s reputation as a global leader in art and culture is one of the reasons why it attracts the best talent the world has to offer, and serves as a key driver to our economic success,” said SBS Commissioner Dynishal Gross. “Design Sprints recognizes that neighborhood-based arts are key to the strength and vibrancy of our city’s commercial corridors, driving investment and tourism, and attracting the best and brightest from far and wide. I am proud that we are supporting this initiative through our Avenue NYC program, and am eager to see Van Alen Institute’s two community-led storefront activations.”

    Participants | Projects

    COOPER SQUARE COMMITTEE

    Placeholders: Revealing the Hidden-in-Plain-Sight World of Storefronts in Affordable Housing Coops

    Location: 165 & 169 Ave C — Loisaida Ave, Manhattan

    Dates: On view through June 30, 2025

    Public Events:

    Info Session: Available Storefronts & Support for Potential Tenants | Wednesday, June 11, 6:30–7:15 pm on Zoom

    Placeholders Closing Reception | Friday, June 27, 6–8 pm, 367 E 10th St (co-hosted with Piragua Art Space & Relative Arts)

    Due to decades of grassroots organizing, the Lower East Side is home to many Housing Development Fund Corporation cooperatives (HDFCs), a unique type of affordable housing collectively owned and operated by residents. HDFCs often rent their storefronts to small businesses, artists, and nonprofits that serve local needs, nurture creativity, and express culture. Collectively, HDFCs offer a stable model for residents and small businesses facing the threat of displacement.

    Offering a glimpse into this vibrant community, Placeholders showcases items from local businesses located in HDFCs in a site-specific installation created by local artist Delphine Le Goff. Items include a camera from Fourth Street Photo Gallery, the city’s oldest Black-owned photography studio; a hand-painted mortar and pestle from Puerto Rican restaurant Casa Adela; and handmade Mexican folk art from La Sirena. The exhibition will be supplemented by a map of local businesses. 

    “This project is the first step in a longer journey towards bringing together HDFC coops and commercial tenants. I’m excited to apply the insights from this experience to Cooper Square Committee’s enduring work to preserve space for housing and culture on the Lower East Side,” said Abigail Ellman, Director of Planning and Development, Cooper Square.

    Team Members:

    • Abigail Ellman, Director of Planning and Development, Cooper Square Committee
    • Scott Kelly, Graphic Designer
    • Delphine Le Goff, Artist

    Participating Businesses: 3rd & B’zaar, A&C Kitchen, Archie’s Press, Bungee Space, Casa Adela, Clove Hair Salon, El Rinconcito, Ergot Records, Fontanez Martial Arts Success Center, Fourth Street Photo Gallery, Green Map System, Jane’s Exchange, La Sirena Mexican Folkart, Lower East Side People’s Federal Credit Union, Michele’s Cleaners & Laundry, Museum of Reclaimed Urban Space, Piccola Strada, Piragua Art Space, Relative Arts.

    More information on Cooper Square Committee: coopersquare.org

    GRAND STREET BID

    The People Make The Place!

    Le Persone Fanno Il Luogo! ¡Las Personas Hacen El Lugar!

    Storefronts: 237 & 246 Graham Ave

    Dates: On view through June 30, 2025

    Public Event: Grand Street Neighborhood Bash | Monday, June 9, 5-7 pm

    Featuring art and archival materials from neighborhood partners, The People Make the Place! spotlights East Williamsburg residents, honors the neighborhood’s leaders, and reflects its culture of co-creating public spaces. On the nearly block-long storefront at 237 Graham Ave, a photo-collage mural by L&L Studio celebrates the past, present, and future of East Williamsburg. Inspired by 1960–70s speculative design, the mural weaves together community-sourced images highlighting key places and people. It is framed by questions in Spanish, Italian, and English — languages historically spoken in the neighborhood — that prompt reflection on how viewers shape their community.

    The mural is complemented by two window activations at Grand Street BID’s headquarters, located across the street at 246 Graham Ave. Re: Place, a series of geometric sculptures by ReFrame Architecture, references the forms of storefronts. Reflective surfaces place the image of viewers within the sculptures, emphasizing the vital role of community in sustaining place. Sylvia Riveros’ photo series Toñita provides an intimate look at the Caribbean Social Club — a long-time gathering space for Puerto Rican and Latin American communities — and its remarkable founder, Maria Antonia “Toñita” Cay.

    “The Grand Street BID is excited to explore storefront activation as a community resource. Despite being private spaces, storefronts can serve critical public functions, from creating a sense of security and engaging the public, to promoting and civic life. We welcome this opportunity to highlight our local artists, leaders and histories with this project, while activating these impactful community spaces,” said Francesca Bruce, Executive Director, Grand Street BID.

    Team Members:

    • Francesca Bruce, Executive Director, Grand Street BID
    • Yaz Mansi, Community Engagement Manager, Grand Street BID
    • Leigh Mignogna, Principal & Founder, L&L Studio
    • Liz Seibert Turow, Principal & Founder, L&L Studio
    • Paula Volchok, Senior Designer, L&L Studio
    • Drianne Laliberte, Senior Designer, L&L Studio
    • Yalda Keramati, Founder, ReFrame Architecture
    • Sylvia Riveros, Community Activist & Artist

    Participating Artists: Vanesa Álvarez Díaz; Los Muralistas de el Puente; Danielle Mastrion; and SON-CORO, SINNED + Ria Burns-Wilde

    Participating Organizations: El Puente, Evergreen Exchange, St. Nick’s Alliance, Powers Street Garden

    More information on Grand Street BID: grandstreetbk.org

    PROGRAM ADVISORS

    Throughout the sprint, a team of designers has provided strategic vision and guidance for both teams: Hilary Sample, Co-Founder, MOS Architects, has advised on the cohort’s long-term plans to address storefront vacancy, with graphic design support from Stacey Geller, Founder & Creative Director, American Design Language. Farzana Gandhi, Founder, Farzana Gandhi Design Studio is helping the teams prepare public programs and community engagement activities.

    More information can be found on vanalen.org.

    Van Alen’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Design Sprints: Building Creative Capacity is supported by the NYC Department of Small Business Services.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities.

    See all work at vanalen.org.

    About the NYC Department of Small Business Services (SBS)

    SBS helps unlock economic potential and create economic security for all New Yorkers by connecting New Yorkers to good jobs, creating stronger businesses, and building vibrant neighborhoods across the five boroughs. For more information on all SBS services, go to nyc.gov/sbs, call 888-SBS-4NYC, and follow us on Facebook, Twitter, Instagram, and LinkedIn.

    About Avenue NYC

    SBS’s Avenue NYC Organizational Development Grants are specifically intended to fund nonprofit organizations to provide services and technical assistance to enhance the project and fiscal management, program execution, legal compliance, leadership, and strategic capabilities of community-based development organizations (CBDOs) implementing commercial revitalization activities benefitting low- to moderate-income communities across the five boroughs. Avenue NYC is funded through the U.S. Department of Housing and Urban Development’s Community Development Block Grant (CDBG) Program. More information on Avenue NYC can be found at nyc.gov/avenuenyc.

    Media Contacts

    Alisha Kim Levin, press@vanalen.org

    Elisa Smilovitz, elisa@elisasmilovitz.com

    Joseph Jourdan, JJourdan@sbs.nyc.gov

  8. New Public Art: The Dear Neighbor Project

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    Van Alen Institute Announces The Dear Neighbor Project, New Public Art Installation in Gowanus, Brooklyn

    Created by artist Tiffany Baker, multi-site murals showcase stories of Gowanus residents impacted by flooding

    Tiffany Baker, The Dear Neighbor Project (2025). Washington Park, Brooklyn. Photo: Cameron Blaylock

    View and download photos here.

    (Brooklyn, NY—April 22, 2025) — Van Alen Institute is pleased to announce The Dear Neighbor Project by artist Tiffany Baker. On view April 22–July 2025, this multi-site mural installation turns the voices of Gowanus residents into public art and illustrates their experiences with flooding in the neighborhood.

    To create The Dear Neighbor Project, Baker connected with community leaders, local organizations, business owners, and residents to learn more about the impact of flooding in Gowanus. She then organized interviews with residents about their personal experiences with flooding, ranging from long-time residents to newer arrivals, and middle schoolers to older adults. Baker’s murals illustrate and directly quote from these residents’ stories — sharing their experiences, advice, and stories of community support during flood events. Each mural prompts viewers to visit dearneighborproject.com, where they can listen to audio recordings of these interviews.

    “I went into The Dear Neighbor Project with a lens of learning. I’ve found that when doing any community-based work, it’s important that the work be grounded in real stories. It’s up to the people who live here to communicate their lived experience in Gowanus,” said Tiffany Baker. “I’m so grateful to all those who contributed their stories and the incredible local organizations hosting these murals — Brooklyn Public Library, FDNY EMS Station 32, MS 447, the Old Stone House & Washington Park, and Powerhouse Arts.”

    “Gowanus is undergoing a rapid transformation, and it’s essential we gather and share the stories of people who live and work here — particularly those who have been here a long time,” said Andrew Brown, Co-Interim Executive Director, Van Alen Institute. “Tiffany Baker’s eye-catching murals and stirring audio archive don’t just raise awareness of the significant impacts of flooding in Gowanus, they’re also a loving testament to the resilience of our neighbors.”

    The Dear Neighbor Project has also been incorporated into the Art for Social Justice curriculum at local middle school MS 447 – The Exploratory School. With instruction from educators Cheryl Grau and Davielle Morton, the students designed symbols exploring themes of flooding and community support. Baker then incorporated these symbols into her design for an outdoor mural at the school.

    The Dear Neighbor Project is the second installation in Van Alen’s annual initiative Points of Promise, which uses art and design to support civic engagement in Gowanus amidst the neighborhood’s redevelopment. The initiative responds to topics in the 56 Points of Agreement, a $450 million commitment made by New York City to invest in housing, infrastructure, public space, community amenities, and business programs in Gowanus.

    Each year, Points of Promise seeks artists and designers with demonstrated experience facilitating community-engaged work. In Spring 2024, Van Alen Institute issued an open call for artists and designers interested in increasing public awareness of flooding in Gowanus. From more than 100 responses, three artists were invited to submit proposals: winner Tiffany Baker and finalists Ali Rufrano-Ruffner and Leah Harper. Baker’s The Dear Neighbor Project was selected by a committee of seven Gowanus residents and stakeholders, including representatives of the Gowanus Canal Conservancy, Gowanus Houses Tenants Association, and the Gowanus Oversight Task Force. Learn more and see all proposals at vanalen.org.

    The Dear Neighbor Project is made possible by the National Endowment for the Arts and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, with additional support from Rebuild by Design and the Brooklyn Borough Delegation of the New York City Council. Van Alen’s programming is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Engineering review services were provided by TYLin.

    Learn more: dearneighborproject.com / @dearneighborproject on Instagram


    LOCATIONS

    Outdoor Murals — on view 24 hours

    Indoor Activations — on view during public hours


    PUBLIC PROGRAMS

    The Dear Neighbor Project: Art Workshop
    Saturday, April 26, 1–4 pm
    Van Alen Institute, 303 Bond St, Brooklyn

    Artist Tiffany Baker will give a brief mural tour and talk, followed by an artmaking workshop. Participants will listen to excerpts from community interviews that informed The Dear Neighbor Project, and respond through drawing, writing, and storytelling prompts. Ages 12 and up. No artistic experience required.

    Free with RSVP.

    The Dear Neighbor Project: Artist Talk + Viewing
    Tuesday, May 13, 5:30–7:30 pm
    Brooklyn Public Library — Pacific Library, 25 4th Ave, Brooklyn

    Join the Brooklyn Public Library for a viewing of The Dear Neighbor Project at the Pacific Library branch. Artist Tiffany Baker will give a brief talk on the project, followed by a Q&A.

    Free with RSVP.

    The Power of Story: An Intro to Oral History
    Friday, May 16, 6–7 pm
    Brooklyn Public Library — Library of Arts and Culture, 10 Lafayette Ave, 2nd Floor, Brooklyn

    In this workshop led by Emmy-nominated storyteller and photographer Naeem Douglass, learn how to craft compelling interviews, develop thoughtful questions, and record stories. This workshop welcomes artists, neighbors, and anyone curious about preserving lived experiences through story. Access to a smartphone with a recording app is encouraged for participation.

    Free with RSVP.


    About the Artist

    Tiffany Baker (she/her) is a Chicago-born, Brooklyn-based visual artist, working in oil, acrylic, pencil, digital media, and glass. Tiffany works in a unique style of realist portraiture marked by vibrant palettes and considered attention to her subject’s grooming, often merging somber, regal, and mundane themes, bringing forth her subject’s essence. In her portraiture, she transmutes life experiences into emotive visual expressions that reimagine trauma, embed messages of connection, and celebrate her identity as a Black woman.

    Learn more at tiffany-baker.com.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through the power of architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. From our home in New York City, our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities.

    See all work at vanalen.org.

    Media Contacts

    Alisha Kim Levin, Director of Communications, press@vanalen.org

    Elisa Smilovitz, elisa@elisasmilovitz.com

  9. Hayley Eber Named Executive Director

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    Van Alen Institute Names Hayley Eber as Executive Director

    Photo courtesy Hayley Eber

    View and download headshot here.

    (Brooklyn, NY—March 25, 2025)Hayley Eber has been selected as Executive Director of Van Alen Institute by the organization’s Board of Directors after an extensive national search. Currently Acting Dean of The Irwin S. Chanin School of Architecture at The Cooper Union, Eber will assume leadership of the 131-year-old institution in June. She succeeds Deborah Marton, whose tenure as Executive Director concluded in late 2024.

    As Executive Director, Eber will promote Van Alen’s mission to create equitable cities through inclusive design. Grounded in Van Alen’s belief that community-led design builds social resilience and more just cities, she will expand and deepen current programs Design Sprints and Common Build. Eber will also advance the organization’s commitment to excellent design in the public realm by reimagining Van Alen’s historic Paris Prize competition. First awarded in 1904, the Paris Prize was among the most prestigious prizes in architecture and has fostered bold ideas for civic spaces.

    “Hayley Eber has extensive experience leading an institution rooted in community and design excellence,” said R. May Lee, Van Alen Board Chair and Vice President and Chief Strategy Officer, Rensselaer Polytechnic Institute. “Her keen ability to foster a welcoming culture builds on Van Alen’s history of convening people across disciplines. She brings a depth of design expertise and intellectual rigor that will be invaluable as Van Alen continues its 130-year commitment to design and its impact on the public realm in New York City.”

    “Community-building, interdisciplinary collaboration, and a commitment to just and sustainable urban futures have been central to my leadership at The Cooper Union — principles that resonate deeply with Van Alen Institute’s core mission,” said Hayley Eber. “I am thrilled to build upon Van Alen’s rich history in shaping architectural and urban dialogue, and to advance its critical work empowering communities to create transformative public spaces in New York City and beyond.”

    Eber brings a wealth of leadership experience to Van Alen, including her role as Acting Dean of The Irwin S. Chanin School of Architecture at The Cooper Union. During her tenure at Cooper Union, which began in 2007, Eber has championed equity, spearheading the school’s most diverse incoming class and chairing its Antiracist Task Force. In 2008, she founded Studio Eber, an award-winning architectural practice based in New York. Studio Eber’s work spans buildings, interiors, objects, environments, and installations, consistently pushing the boundaries of architectural design. Projects have been showcased in the Venice Architecture Biennale, Tallinn Architecture Biennale, Shanghai SUSAS, and the upcoming Triennale Milano.

    Eber holds a Masters in Architecture from Princeton University School of Architecture, a Bachelors of Architecture from The Cooper Union, and a BAS from the University of Cape Town. She is a licensed architect in New York and has previously taught at Princeton University and Columbia GSAPP.

    About Van Alen Institute

    Van Alen Institute is a driving force behind community-led urban design, which believes that local knowledge and care enrich the design process. Since 1894, Van Alen has invested in people with a passion for improving cities through architecture and design. Our public space projects build unconventional coalitions of designers, local stakeholders, and city leaders, and we support their visions through project scoping, hands-on guidance, and seed funding. Our work confronts longstanding power imbalances in citymaking, showcases the vanguard of community-led design, and supports the next generation of designers in creating more just cities.

    See all work at vanalen.org.

    Press Contacts

    Alisha Kim Levin, press@vanalen.org 

    Elisa Smilovitz, elisa@elisasmilovitz.com

    Amanda de Beaufort, adebeaufort@libeskind.com

  10. Unveiling: Albany Hive

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    City of Albany, Local Leaders, and Van Alen Institute Open Albany Hive, a Community-Led Redesign of Alley in West Hill

    Community organizers, designers, and 400+ residents co-created new shared space with public sculptures and enhanced pathway

    Press Contacts:
    Nyla McKenzie-Isaac, City of Albany, nmckenzie-isaac@albanyny.gov
    Alisha Kim Levin, Van Alen Institute, press@vanalen.org
    Elisa Smilovitz, elisa@elisasmilovitz.com

    View and download images here.

    ​​(Albany—October 10, 2024)—The City of Albany, Van Alen Institute, and Albany community leaders held a ribbon-cutting ceremony this past weekend for Albany Hive, an uplifting new shared space on a city-owned alley at Quail St and 1st St in the city’s West Hill neighborhood. Co-designed with West Hill residents, Albany Hive (“the Hive”) is a neighborhood hub buzzing with locally-led activities. Vibrant, illuminated honeycomb-like sculptures host community artwork and a newly-renovated path includes improved lighting, landscaping, access, and drainage.

    Albany Hive is a collaboration between Albany 518 SNUG, Albany & Troy Lions Club, Albany Victory Gardens, Bridge Tha Gap Community Resource & Outreach, the City of Albany, Grateful Villages, Rensselaer School of Architecture, Stantec, The Urban Conga, and Van Alen Institute.

    “We have transformed an underutilized alleyway in West Hill into a beacon of hope for the entire community,” said Albany Mayor Kathy Sheehan. “The Hive is a place where neighbors can relax, enjoy public art, and share a sense of pride in their neighborhood. I am deeply grateful to Van Alen, the Albany Community Development Agency, and Albany’s Department of Planning for their support in bringing this new space to life.”

    “Transformational change is possible when communities, designers, and city leaders come together. The Hive represents four years of incredible collaboration, and Van Alen Institute’s experience as project manager and facilitator has been profoundly meaningful,” said Andrew Brown, Interim Co-Executive Director, Van Alen Institute. “We’re deeply grateful to Mayor Sheehan, the City of Albany, and our coalition of partners and supporters for co-creating this new shared space with and for West Hill.”

    “Unity and collaboration creates positive change, and The Hive is what that looks like,” Eva Bass, CEO, Bridge Tha Gap Community Resources & Outreach. “The Hive coalition came together through our differences, and if we continue to do that, we’re going to see positive, sustainable change and bring our city to where it needs to be.”

    The Hive is a light that has removed a dark cloud from this area,” said Gordon Davis, Albany 518 SNUG. “When we come together and show love and respect for each other, things like the Hive can happen. When we put our minds to something, we can change our communities.”

    “From early conversations around the community’s desires and hopes of the neighborhood to the alley’s final design, the community gifted us their stories, experiences, feedback, and more to create the Hive,” said Maeghann Coleman and Ryan Swanson, The Urban Conga. “Our design studio was simply a tool for the community to create what they wanted to see.”

    “The best architectural projects are those that are not only beautiful, but whose purpose is to learn more about one another and to bring people together to share in the care of their neighborhoods,” said Christianna Bennett, Assistant Professor, and Fleet Hower, Lecturer at the School of Architecture, Rensselaer Polytechnic Institute. “We hope the Hive continues to be a space where the community comes together to continue to dream about what this corner of Albany will look like in the future.”

    Albany Hive is located in a city-owned alley adjacent to Albany Victory Gardens and Grateful Villages’ West Hill Farmers Market. Despite the success of these nearby community-led programs, the alley itself was in poor condition, with debris, inadequate drainage, and an overgrown tree canopy that blocked light. Through this collective effort and investment in city-owned space, the Hive now supports community development and provides much-needed green space.

    Albany Hive provides a new model for designing shared spaces by following the lead of those directly impacted in every step of the process. Before putting pencil to paper, project partners held dozens of conversations with community groups and 400+ residents. In these discussions, West Hill community members compared themselves to a beehive, helping and supporting each other in the neighborhood. This formed the basis of design plans featuring community artwork, words of aspiration, and places to play and reflect. Plans were shared in multiple community engagement sessions, where residents further shaped the design.

    Going forward, the Hive will host public programs and workshops responding to community needs in West Hill. Upcoming events will be posted on albanyhive.org. The project’s partners also created a long-term stewardship and maintenance plan, outlining the city and community’s continued collaboration in service of the alley.

    Albany Hive is supported, in part, by the National Endowment for the Arts “Our Town” program, which supports activities that integrate arts, culture, and design into local efforts that strengthen communities over the long term. Additional support was provided by the Albany Community Development Agency, America Walks Grant, the Bender Family Foundation and the Office of the Governor and the New York State Legislature. Initial project planning was done in partnership with the Mayors’ Institute on City Design.

    Additional information can be found at vanalen.org/project/albany-hive.

    PROJECT PARTNERS

    Albany 518 SNUG
    Albany 518 SNUG (‘guns’ spelled backwards) is an anti-violence program aimed at reducing gun violence by providing proactive intervention for gang activity or at-risk youth. SNUG mentors and directs youth from under-resourced communities to new healthy and formative experiences that allow them to envision a different life and future.

    Albany & Troy Lions Club
    The Albany Host Lions Club and the Troy Lions Club were both founded in 1925. The two clubs joined forces in July, 2006 to become the Albany & Troy Lions Club, which currently has 46 members – men and women who volunteer their time to perform a variety of community service activities. The group is one of approximately 45,000 clubs in Lions Clubs International, the world’s largest service club organization.

    Albany Victory Gardens
    Albany Victory Gardens (AVG) is a project to upcycle vacant lots in low-income communities, transforming them into vibrant farmland that supports urban agriculture and circular economy training. The project began with the purchase of five vacant lots at the core of West Hill and quickly expanded to 20 lots for farming, training, and as their market space. The garden looks to provide trainings and resources to involved community members, turning a still-expanding swath of land into a network of individually-owned plots and a space for community organizing.

    Bridge Tha Gap Community Resource & Outreach
    Bridge Tha Gap is a community outreach program with the mission to fill the gaps in our community. We aim to supply support to families and individuals that have a need. We at Bridge Tha Gap believe that the unity within the community is the key to reviving our community as a whole. Please come together with me to lift those up who have fallen into the gaps of life. Let’s do this together so that we can thrive as a strong united community.

    Grateful Villages
    Grateful Villages is a non-profit charitable organization focused on the design and implementation of community programs to help spur development, sustainability and empowerment at the local level, with lasting global effects. We believe the answers we seek for our community cannot be found in the focus of any one institution but in the very tenets of community itself. Families don’t need houses, they need homes. We live in an environment of shared effect and our equity is woven in the fabric of our community.

    Rensselaer School of Architecture
    Situated within one of the premier technological research universities in the US, the School of Architecture at the Rensselaer Polytechnic Institute works in collaboration with leading scientists, engineers, technologists, artists and entrepreneurs.

    Stantec
    The Stantec community unites approximately 22,000 employees working in over 350 locations across six continents. We collaborate across disciplines and industries to bring buildings, energy and resource, environmental, and infrastructure projects to life. Our work—engineering, architecture, interior design, landscape architecture, surveying, environmental sciences, project management, and project economics, from initial project concept and planning through design, construction, and commissioning—begins at the intersection of community, creativity, and client relationships.

    The Urban Conga
    The Urban Conga is an award-winning multidisciplinary design studio based in Brooklyn, NY led by Ryan Swanson and Maeghann Coleman. The studio is focused on sparking community interaction and social activity through open-ended play. To achieve this, they utilize play methodologies as a critical tool implemented not just in the work itself but within the community-driven design process in which the work is created. Focusing on working with communities to create inclusive multiscale spatial opportunities that transform once-overlooked or underutilized situations into stimulating creative outlets that evoke our innate drive to discover, explore, and empathize with others. Their work encourages people to think about the value of play beyond the playground and how creating more play everywhere can dramatically impact our daily lives.

    About Van Alen Institute
    Van Alen Institute helps create equitable cities through community-led inclusive design. We partner with leaders of historically disinvested communities to support their immediate needs and long-term visions with our network, knowledge, and resources. We shape diverse interdisciplinary teams, build cross-sector public/private coalitions, and invest our own funds to support neighborhood priorities. By centering community in everything we do, our inclusive design method responds to the urgent need for social justice in citymaking. For 130 years, our purposeful community engagement, convening capacity, and global network have produced profound transformations in the public realm of New York City and beyond. With an interdisciplinary approach to design, the Van Alen team has backgrounds in architecture, arts and culture, community organizing, preservation, and public policy. See all work at vanalen.org.

    PROJECT SUPPORTERS

    Albany Community Development Agency
    The Albany Community Development Agency (ACDA) revitalizes Albany neighborhoods and homes in a variety of ways, through its management of funds received primarily through the U.S. Department of Housing and Urban Development (HUD).

    America Walks
    America Walks is a national non-profit organization dedicated to providing communities and advocates the resources to advance safe, accessible, and enjoyable places to walk and be physically active for all. The organization provides its diverse network of over 30,000 advocates and hundreds of local, state, and national organizations, with the tools, resources, and experts needed to build capacity, gain experiences, and successfully promote walking and walkability. Learn more at americawalks.org

    Bender Family Foundation
    The Bender Family Foundation was established in 1997 and works to foster, preserve and fund the arts, culture, education, history and environment of New York State’s Capital Region. Learn more at cfgcr.org/bender.

    Mayors’ Institute on City Design
    With a belief in the power of city design to transform communities, the Mayors’ Institute on City Design (MICD) educates mayors to be the chief urban designers of their cities. MICD is a leadership initiative of the National Endowment for the Arts in partnership with the United States Conference of Mayors. Since 1986, we’ve offered collaborative learning programs and resources to mayors in order to make a purposeful, positive impact on America. Detailed information about MICD programming is available at micd.org.

    National Endowment for the Arts
    Established by Congress in 1965, the National Endowment for the Arts is an independent federal agency that is the largest funder of the arts and arts education in communities nationwide and a catalyst of public and private support for the arts. By advancing equitable opportunities for arts participation and practice, the NEA fosters and sustains an environment in which the arts benefit everyone in the United States. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit arts.gov.

    New York State Council on the Arts
    New York State Council on the Arts (NYSCA) fosters and advances the full breadth of New York State’s arts, culture, and creativity for all. Albany Hive is made possible by NYSCA with the support of the Office of the Governor and the New York State Legislature. To learn more, visit arts.ny.gov.